Free PDF The Red Leather Diary: Reclaiming a Life through the Pages of a Lost JournalBy Lily Koppel

Free PDF The Red Leather Diary: Reclaiming a Life through the Pages of a Lost JournalBy Lily Koppel

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The Red Leather Diary: Reclaiming a Life through the Pages of a Lost JournalBy Lily Koppel

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For more than half a century, the red leather diary languished inside a steamer trunk. Rescued from a Dumpster on Manhattan's Upper West Side, it found its way to Lily Koppel, a young writer, who opened its tarnished brass lock and journeyed into an enthralling past. The diary painted a breathtaking portrait of a bygone New York—of glamorous nights at El Morocco and elegant teas at Schrafft's during the 1920s and '30s—and of the headstrong, endearing teenager who filled its pages with her hopes, heartaches, and vivid recollections. Intrigued, Koppel followed her only clue, a frontispiece inscription, to its now ninety-year-old owner, Florence Wolfson, and was enchanted as Florence, reunited with her diary, rediscovered a lost younger self burning with artistic fervor.

Joining intimate interviews with original diary entries, The Red Leather Diary re-creates the romance and promise of a remarkable era and brings to life the true story of a daring, precocious young dreamer.

• Sales Rank: #1077724 in Books
• Brand: Harper
• Published on: 2008-04-08
• Released on: 2008-04-08
• Format: Deckle Edge
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x 1.09" w x 5.13" l, 8300.00 pounds
• Binding: Hardcover
• 336 pages

Features

• Great product!

From Publishers Weekly
Journalist Koppel found the inspiration for this book, based on her 2006 New York Times article, after discovering Florence Wolfson’s diary in a Manhattan dumpster. Koppel eventually locates Florence in Florida and surprises the 90-year-old with this artifact from her past, which reveals her views on growing up as an intelligent, ambitious and creative teenager on the Upper West Side of Manhattan in the 1930s. Florence received the diary as a present on her 14th birthday. She recorded everything from her first kiss (with a boy) to her crush on actress Eva Le Galliene (which led her to question her sexuality) to her passion for writing and art. The diary acts as a window into a fascinating and privileged world, one that Koppel tries to recreate by writing in a novelistic way, using no more than snippets of text from Florence’s diary and, we can presume, multiple interviews as support. The result, which some readers may find frustrating and others rewarding, is that the original inspiration—the diary itself—becomes no more than a starting point for a much larger story: that of Florence’s life.

From Booklist
In 2003, Koppel, a novice writer for the New York Times, stumbled upon an amazing discovery: the decades-old diary of a privileged teenaged Manhattanite penned between 1929 and 1934. Fascinated by entries detailing theater expeditions, shopping sprees, love interests, and grand ambitions, she put her journalistic skills to good use, tracking down the original owner of this faded and cracked red-leather treasure. Elated to discover 90-year-old Florence Wolfson alive, alert, and eager to share her memories of a bygone time and place, Koppel began interviewing Florence, interweaving the brief diary entries with more detailed personal anecdotes infused with the type of glamour and sophistication associated with a 1930s romantic comedy. After a front-page story appeared in the New York Times Sunday City section, interest in Florence’s fascinating story prompted the author to write a full-length book that works as both a biography and a spellbinding glimpse into a vanished era. --Margaret Flanagan

Review
“Skillful reporting, fine prose and [an] excellent eye for period detail. . . . A story about not one but two lovable characters—and the city that brought them together.” (New York Times Book Review)

“Florence’s life reads like E.L. Doctorow’s Ragtime in places, with all the famous paths crossed and situations experienced; while desciptions of city life recall Marjorie Hart’s Summer at Tiffany... Together, Koppel and Florence take readers through a world dizzy with new ideas, rhythms and inventions.” (BookPage)

“After a front-page story appeared in the New York Times Sunday City section, interest in Florence’s fascinating story prompted the author to write a full-length book that works as both a biography and a spellbinding glimpse into a vanished era.” (Booklist)

“Koppel’s love of New York is obvious in the details she draws from Florence’s diary, which show how the city has changed in ways both big and small. An entertaining and enjoyable work.” (Library Journal)

“In The Red Leather Diary, Lily Koppel finds an old journal in a Dumpster, gets lost in its rich take on 1930s New York and, improbably, tracks down the now-90-year-old woman whose life—real and imagined—fills its worn pages.” (Reader's Digest (Editors' Choice))

“New York Times writer Lily Koppel’s The Red Leather Diary melds three life-affirming subjects—Florence Wolfson’s journal of life in 1930s Manhattan, Koppel’s discovery of it in a Dumpster decades later, and the meeting of the two women—into one enchanting memoir.” (Elle)

“Sparked by a felicitous discovery in an Upper West Side dumpster, New York Times writer Lily Koppel spins an enthralling true fairy tale about a Depression-era ingénue.” (Vogue)

“A window into a fascinating and privileged world. . . . Rewarding.” (Publishers Weekly)

“THE RED LEATHER DIARY is a fascinating book—inventive and inspiring.” (Erica Jong, #1 New York Times bestselling author of Fear of Flying)

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Ebook Free Assyrian Palace SculpturesBy Paul Collins

Ebook Free Assyrian Palace SculpturesBy Paul Collins

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Assyrian Palace SculpturesBy Paul Collins

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Between the ninth and seventh centuries BC, the small kingdom of Assyria in northern Iraq expanded to dominate the region from Egypt to Iran. The power of the Assyrian kings was reflected in a series of magnificent palaces in which the walls of principal rooms and courtyards were lined with huge panels of alabaster carved with images of the monarch as priest, victorious warrior, and hunter. These sculptures constitute some of the most impressive witnesses of the ancient Middle East, and this book serves as a superb visual introduction to what are undoubtedly some of the greatest carvings from the ancient world.

The book showcases a series of specially taken photographs of the British Museum's unrivaled collection of Assyrian sculptures. The images capture the majesty of the Assyrian king, as well as his magnificent court and its protecting divinities. An introduction sets the sculptures in their cultural and art historical context. A brief history of Assyria and the royal palaces is followed by an overview of the subject matter and meaning of the sculptures together with a discussion of their relationship with the artistic traditions of ancient Iraq and the wider region. There is also an exploration of the sculptures as the earliest examples of complex narrative art that developed from summary or symbolic scenes of royal achievements into images with multilayered meanings that occupied entire rooms and captured the raw emotion and energy of animals and humans with remarkable vitality.

• Sales Rank: #442602 in Books
• Published on: 2009-10-01
• Original language: English
• Number of items: 1
• Dimensions: 10.25" h x .91" w x 10.00" l, 2.45 pounds
• Binding: Hardcover
• 144 pages

Review
"For those not able to study the reliefs in the British Museum this book comes as near as any book can to conveying their majesty and exquisite content. " (Erika D. Johnson, University of Birmingham Bryn Mawr Classical Review 2010-06-23)

About the Author
PAUL COLLINS is curator of Later Mesopotamian antiquities at the British Museum in London. For five years, he was Assistant Curator in the Department of Near Eastern Art at the Metropolitan Museum of Art in New York. He is the author of numerous publications on ancient Mesopotamia.

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Get Free Ebook Buried Cities, Forgotten Gods: William Niven’s Life of Discovery and Revolution in Mexico and the American SouthwestBy Robert S. W

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Buried Cities, Forgotten Gods: William Niven’s Life of Discovery and Revolution in Mexico and the American SouthwestBy Robert S. W

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"I will go no further," William Niven’s Indian guide declared. "Beyond on every ridge, as far as you can see is all a part of one great City of the Dead . . . the gods will permit no man to go further and from here I return." Niven, however, did continue on and discovered a remarkable expanse of ruins in the rugged state of Guerrero along Mexico’s western coast. During the early 1890s, Niven’s explorations were sponsored by the American Museum of Natural History. Later, he continued to explore on his own. His photographs, letters, diaries, and newspaper accounts are now the only source of information on many sites that were later destroyed by grave robbers, neglect, and the turmoil of the Mexican Revolution in 1911.His later discovery of twenty-six hundred inscribed stone tablets in the Valley of Mexico aroused considerable controversy, and inspired James Churchward to put forth an occult interpretation of the origins of the Native Americans in The Lost Continent of Mu (1926). They remain controversial to this day. The writer Katherine Anne Porter frequented Niven’s excavations in the Valley of Mexico and based her first published short story, "María Concepción," on her experiences there. She would write that the "Old Man never carried a gun, never locked up his money, sat on political dynamite and human volcanoes and never bothered to answer his slanderers. He bore a charmed life. Nothing would ever happen to him." Niven was planning a book about his experiences, but was unable to complete it because of ill health. Buried Cities, Forgotten Gods is based upon his surviving manuscripts and personal papers.

• Sales Rank: #2626097 in Books
• Published on: 1999-07-15
• Original language: English
• Number of items: 1
• Dimensions: 9.32" h x 1.18" w x 6.37" l, 1.41 pounds
• Binding: Hardcover
• 318 pages

About the Author
Wicks is a professor of art history at Miami University in Oxford, Ohio.

Harrison is a retired physical chemist from the Thermodynamics Laboratory at the National Institute for Petroleum and Engergy Research.

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PDF Ebook Oriental Carpets: A Complete Guide - The Classic Reference, by Murray L. Eiland

PDF Ebook Oriental Carpets: A Complete Guide - The Classic Reference, by Murray L. Eiland

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Oriental Carpets: A Complete Guide - The Classic Reference, by Murray L. Eiland

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About the Author

Murray L. Eiland Jr. has traveled extensively conducting field research and collecting rugs for study in the Middle and Far East. He is the author of Chinese and Exotic Rugs (1979). His son, Murray Eiland III, recently finished his doctorate in Near Eastern archaeology at Oxford. Both authors have conducted field research in the Middle East during 1996 and 1997 in preparation for this book.

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Product details

Series: Oriental Carpets (Book 1)

Hardcover: 352 pages

Publisher: Bulfinch; 4 edition (November 15, 1998)

Language: English

ISBN-10: 9780821225486

ISBN-13: 978-0821225486

ASIN: 0821225480

Product Dimensions:

9.6 x 1.5 x 12.4 inches

Shipping Weight: 5.4 pounds (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

20 customer reviews

Amazon Best Sellers Rank:

#564,270 in Books (See Top 100 in Books)

Pretty detailed but a little dated. Informative but you need to dig for that info. A little pedantic and too scholarly but still a book most people interested in collecting Oriental carpets will want to have.The above was my original review but I sat down and started to actually read the entire book. The section on dyes is worth the price of entry. The details are the point and worth reading through. The section on China is excellent - better then his 1979 book on Chinese and Exotic Rugs. A must have for anyone interested in Oriental rugs. The big five are this one, How to Read Islamic Carpets by Walter Denny, Oriental Carpets from the Tents, Cottages and Workshops of Asia by Jon Thompson, Oriental Rugs Today by Emmett Eiland, and Tribal Rugs by James Opie

Caveat: You won't know a thing about rugs until you start to shop around, until you start touching them. You'll have to look at the knots, at the foundation and the edges, and run your hands over the pile. You'll need to feel the difference between a silk weave and a wool weave. That said, this book gives a thorough informational grounding in the topic.The book starts with an account of what little is known of the origins of carpet making. The next chapter describes how carpets are constructed. Weavers make short knots that form the visible pile; the pile is woven on an invisible foundation of warps and wefts. There are many types of knots, and surprisingly many types of warps and wefts as well! The book then explains what materials are used--mostly wool, cotton, and silk--how they are spun into yarns, and how they are colored, with either natural or synthetic dyes. The colors are of course central to a carpet's designs, which is the topic of the following chapter.The authors then proceed to review the great carpet making regions. There's a huge chapter on Persian rugs, followed by a chapter on Turkish rugs. These are followed by shorter chapters on the rugs of the Caucasus, India & Pakistan, China, Turkestan, Tibet, North Africa, and the Balkans.Rugs are like wine, or like any fine object. One cannot learn the topic from a book, one must learn from the things themselves. A good book though is invaluable in reducing how long it will take to feel comfortable with the topic.One last word. There are 348 illustrations of extremely high quality, making the book itself a very beautiful object. It's a great coffee table book.Vincent Poirier, Tokyo

Good help

excellent!

I wanted to educate myself about Oriental rugs as I am thinking of importing the same. A must have for a person who wants to educate himself about rugs. The authors are very comprehensive and knowledgeable. They have done their research and the reader gets an idea about the history, weaving and different types of Oriental rugs. A great read.

A definitive work!

Great reference book for anyone interested in carpets.

This is a beautiful book, but the coverage is overwhelmingly for geometric oriental rugs, with a large section added for Chinese. I was looking for the more ornate styles (Heriz, Tabriz, Sultanabad, and so on) that are so very beautiful. These are grossly underrepresented in this book, if at all (e.g., most are not). I am sorry I purchased the book.

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